Please post your comments for
Scene 1, lines 1-197 of Act 3 of
Henry IV, Part 1 here.
Instructions for Act 3 comments:
Rebels:
Comment on the last half of Scene 1 (lines 198-276) or Scene 2.
Comment on Scene 3.
Court:
Comment on the first half of Scene 1 (lines 1-197).
Comment on Scene 3.
Pub Crawlers:
Comment on the first half of Scene 1 (lines 1-197).
Comment on the last half of Scene 1 (lines 198-276) or Scene 2.
Please complete your first 2 comments by
Friday, September 22.
All Groups:Put your third comment on Mrs. Makovsky”s class blog:
http://makovsky3.blogspot.com You will be responding to one of her students’ comments. Please complete your third comment by
Tuesday, September 26.
Blog comment prompts:1. Summarize the action of the scene.
2. Comment in one sentence on what you think is the significance of this scene. What would the play be like without it?
3. Ask questions about the scene. Has anything in the scene caused you confusion? Ask one of the characters in the scene a question—or ask me a question.
4. Quote lines from the scene that you enjoyed and comment on them.
5. Describe your reactions to a character, action, or idea you confronted in the scene.
6. Talk about the relationships characters have to one another, quoting specific words or phrases to give evidence for your opinion.
7. Pretend you are an actor playing one of the characters in the scene. Get inside that character’s mind. Tell how the character feels about herself, about other characters, about the situation of the scene.
8. Trace a set of images. Do you notice certain images—like night or moon or food or fat—coming up time and time again? Produce a list of citations—every time that your word appears. Then look for patterns. Are the images associated with certain people or places or events? Discuss the impact of your image on the play.
9. Discuss the motifs of robbery and rebellion, or honor and courage, or wholeness (both individual and national) in each “world” of the play.
10. Discuss Hal’s search for role models; how do his companions educate him about his country? How do the three worlds of the play—Court, Rebel, Tavern—converge in him?